Orfeia is an all-woman vocal ensemble dedicated to preserving and sharing traditional music from Bulgaria and Eastern Europe. Orfeia’s repertoire spans the rich and varied musical heritage of Eastern Europe, Bulgaria, Russia, Georgia and the Balkans, from traditional to sacred and from the Middle Ages to modern day. The captivating and diverse sounds of the Balkans are given voice through unique harmonies and rhythms, unusual vocal ornaments, village songs, custom songs with overlapping lines, antiphonal songs with drones, seasonal music, and children’s songs.
Orfeia was founded in 2006 by the legendary Bulgarian singer Tatiana Sarbinska. Orfeia made its debut at a gala concert in Sofia, Bulgaria in honor of Tatiana Sarbinska and featuring Tatiana and an all-star roster of Bulgarian traditional singers and instrumentalists. Orfeia has performed in Blagoevgrad, Bulgaria with the Pirin Ensemble, one of Bulgaria’s foremost national folk companies, at the National Festival of Bulgarian Folklore in Koprivshtitsa, at national competitions for compositions based on traditional Bulgarian music in Chepelare and Sofia, and in concerts in Sofia, Plovdiv and other cities throughout Bulgaria. Orfeia has been featured on The Slavi Show, Bulgaria’s most popular late-night television program, and on Bulgarian National Radio.
Based in Montgomery County, Maryland, Orfeia has performed throughout the mid-Atlantic region and has been the recipient of grants from the Maryland State Arts Council and the Arts and Humanities Council of Montgomery County.
Through performances and interactive workshops, Orfeia shares this beautiful and exciting musical heritage with young and old, beginner or experienced musician.
Orfeia is a tax-exempt 501(c)(3) non-profit organization. Your donations are tax-deductible.
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Tatiana Sarbinska, Artistic Director
Tatiana Sarbinska, the founder and director of Orfeia, is a world-renowned Balkan vocalist, composer, teacher and director. Born in the village of Rila, Bulgaria, she began singing as a child and rose to become one of the preeminent singers of her generation. For many years, she was the featured soloist of the internationally-acclaimed Pirin Ensemble, touring throughout the world and making numerous recordings and films for television. Her encyclopedic repertoire includes music from all of Bulgaria’s folklore regions as well as the Balkans and Eastern Europe. Tatiana has been awarded “National Treasure” status as “The Voice of Bulgaria” by the Bulgarian government in recognition of her artistry and for preserving the musical heritage of her native country. Tatiana has performed throughout the U.S., including the Kennedy Center’s Millenium Stage and the Library of Congress, and received a Washington Area Music Award (Wammy) for World Music Vocalist. In 2006, Tatiana received the Ivan Vasov Medal from the government of Bulgaria and in 2015 she received the Saints Cyril and Methodius Medal. Tatiana has been recognized with a master artist grant from the Maryland Traditions Apprenticeship Awards Program of the Maryland State Arts Council (with support from the Maryland Historical Trust and the National Endowment for the Arts) (together with Orfeia member Ellen Zurbrigg) and with an Individual Artist Award in musical composition from the Maryland State Arts Council. In 2010, Tatiana’s composition Moyeta Pesen was awarded first prize in the International Competition for Symphonic Composition Based on Traditional Motifs in 7/8. In 2014, Ms. Sarbinska was an honored guest performer at the gala 60th anniversary of the Pirin Ensemble, and in 2015 she was made an Honorary Citizen of the City of Blagoevgrad. In 2016, Ms. Sarbinska was awarded the Honorary Medal of the President of Bulgaria. Her most recent CDs are Makedonsko Devojche and Katerino Mome. Tatiana’s recording of Katerino Mome, her own composition, continues to be one of the most popular and recognized Macedonian songs in Bulgaria.
Since moving to the United States in 1991, Tatiana has taught and directed many Balkan ensembles throughout the country and is currently the artistic director of three choruses, Divi Zheni and Zornitsa in the Boston area, and Orfeia in Washington, D.C.
Tatiana’s extraordinary mastery of Eastern European music and vocal technique is matched by her unique ability to teach it to others, from beginner to professional. With a degree from the Academy of Music and Choreographic Art in Plovdiv, Bulgaria, Tatiana went on to teach there and at the Western University in Blagoevgrad, Bulgaria. She was also the Director of Education for the Art School of Blagoevgrad, where she developed and directed the curriculum for 2500 students. In the United States, Tatiana has taught at, among many others, the Boston Conservatory Chorus, Boston University, Northeastern University-Boston, the New England Conservatory of Music, the Mendecino Balkan Music and Dance Workshops, Village Harmony, and the Augusta Heritage Center, and she has been a consultant for Revels, the renowned international music organization. She has conducted individual and group lessons and workshops for countless singers across the country. Whether in performance, conducting or teaching, Tatiana’s magnetic personality, passion and virtuosity create a thrilling experience for her listeners and students.
Visit Tatiana’s website.
Sarah Allard discovered her passion for folk music as a teenager when she began singing with the Vermont-based world music organization, Village Harmony. There, she was first exposed to the unique sounds and exciting rhythms of Balkan song and dance. In recent years, she has toured internationally with Northern Harmony and throughout New England with the Renewal Chorus. Before moving to D.C. in summer of 2009, Sarah had only experienced a small taste of Bulgarian music; she is thankful for the opportunity to learn in depth from Tatiana and to sing with the supremely talented women of Orfeia.
Carlendra Frank is no stranger to performance as a dancer: she has been a b-girl (breakdancer) since 1999 and is a member of Urban Artistry, a DMV-based dance company. Carlendra, a self-proclaimed “Bulgariaphile,” who reads and speaks Bulgarian, attended an Orfeia concert in early 2011, and she was enthralled with melodic tunes of the Balkans. She joined Orfeia shortly thereafter and has had the time of her life singing about romantic tragedies, sock knitting and talking plants. Carlendra is honored to be under the guidance of Tatiana Sarbinska and her fellow “Orfettes,” and she looks forward to many more exciting performances with the group.
Rhonda Kranz has been entertaining herself since childhood singing folk ballads, lute song, bossa nova, and whatever else she is drawn to. Her path to Balkan music likely started when she fell in love with Sephardic ballads while with the University of Maryland early music group Collegium Musicum. Both attract her with their mix of rhythmic variety, emotional power, and playfulness. She first sang Balkan music in a concert that Tatiana and Orfeia members led with the community singers of Carpe Diem in 2012. She is thrilled that Orfeia took her in to the fold and is enjoying the challenges and beauty of the music.
Scientist by day, musician by night, Daniela Miller has been singing with Orfeia since November 2015. With an eclectic musical background and interests spanning classical, folk, metal, electronic music, and beyond, she feels blessed by the experience to learn and experience through song the wonderful culture of the Balkans with Tatiana Sarbinska and Orfeia. Her favorite parts of singing Balkan music are droning and the many unique, complex rhythms.
Kathryn Mitchell, a D.C. native, heard Bulgarian music by chance through friends many years ago and was stunned. She has since had the chance to learn from several Bulgarian vocalists and Balkan groups and feels lucky to now be working with Tatiana Sarbinska. She also dances with D.C.’s Bulgarian folk dance ensemble, Zharava.
Michelle Morrison is a long-time singer. She has been in Western choirs for most of her life, and studied art song and opera for several of those years. Orfeia drew her interest for its rich Balkan sound and challenging vocal techniques.
A student of Greek and Latin, Louise Mundstock followed her love of the history and culture of Eastern Europe and Western Asia to find herself at an Orfeia workshop last fall. She was impressed by the uniqueness of Balkan harmonies, and auditioned for Orfeia shortly afterwards. With no background in music of any kind, she went to a Balkan singing workshop on a whim in November 2013 and hasn’t stopped singing since.
A D.C. native, Jessie Rothwell first heard Bulgarian choir music in 2001, shortly before starting an M.F.A. program in music composition at the California Institute of the Arts (CalArts) in Los Angeles. She was immediately hooked and, as luck would have it, when she arrived at CalArts a fellow student was starting a Bulgarian women’s ensemble. Jessie quickly joined and after graduating from CalArts, she stayed in Los Angeles and became a member of the UCLA Bulgarian Women’s Choir, “Super Devoiche.” While in Los Angeles, Jessie also worked in various music production endeavors, eventually curating and producing her own multi-media “Salon” shows. In addition to her musical pursuits, she is an avid writer, and enjoys writing about classical music for Minnesota Public Radio and The Los Angeles Philharmonic Association, among other writing projects. She also teaches piano to eight wonderful children (and one adult) and is excited to be back in the Balkan music world, singing with Orfeia and (slowly) learning the accordion.
Rose Waters grew up in a family where singing was the main form of entertainment. By both nuture and nature, she is most interested in folk music from around the world, interesting harmonies, and songs that tell stories. Rose first heard Balkan singing when she heard Orfeia perform in 2012 and was enchanted. She jointed the group shortly after. When she’s not singing, Rose is taking care of moms and babies as a midwife at a community clinic.
Elin Zurbrigg learned her first Macedonian song singing with the Chicago Children’s Choir, when she was struck by how such a sad song (the story goes that Jordan gets out of jail after ten years only to find his true love has married his best friend) could sound so joyous. Elin re-encountered Eastern European music while playing saxophone in a klezmer band in the mid 1990’s, and her insatiable quest to sing these traditions drew her to join several Balkan vocal ensembles over the next ten years. She began working with Tatiana Sarbinska on Balkan vocal technique after joining Slaveya, and later Orfeia. She has been thrilled to be able to work one-on-one with Tatiana through a grant from the Maryland Traditions Apprenticeship Awards Program of the Maryland State Arts Council (with support from the Maryland Historical Trust and the National Endowment for the Arts).